Today’s Blog I would like to talk about remotes.
Many people get to that level of photography where a remote is required to help achieve a crisp clear picture with no camera shake. So lets talk about why you would need a remote first! So if you read all the pro blogs and reviews and tips about shooting landscapes you will noticed people always talk about avoiding camera shake. First step as we have talked about in the past few blogs was the need for a good tripod and head. This creates a solid foundation or platform to get a nice sharp picture! Next is to avoid and/or eliminate any camera shake or movement. This can be prevented by a few different methods that we will go over. First is a function that your camera is likely equipped with and that would be the mirror up function. Mirror up basically provides exactly how it sounds, it keeps the mirror up in a fixed position so your sensor is wide open. This eliminates the slap of the shutter while taking your picture. If you don’t have a mirror up option on your camera turning on your live view will do the same thing. Next step would be to go but yourself a remote! Remotes allow a hands free approach to the body of the camera, this again help eliminate camera shake.
So first lets talk about a wired remote. Wired remotes have always been my go to style of remote cause they are very reliable. You basically plug them into a port on the side of your camera and start clicking away by pressing a button. One recommendation I will give you is to make sure you have or buy a remote with a hold position. Once you get into the world of long exposures you will need to use a setting called bulb. Bulb function basically allows you to take a picture for the desired amount of seconds with the remote in the hold position. Once you have achieved the time you were looking for you just click the remote off of the hold position. And Boom now you have taken a long exposure in bulb mode. Most cameras have settings that can achieve shutter speeds of up to 30 seconds but anything after that you will need a hold type remote. A con to owning a wired remote can be the fact that you have a cable that is your life line. Cables remind me of a young girl talking on a corded telephone, they get twisted in your finger or stretched, kinked, twisted or bent. Or my all time favorite is dropped in the water! More then likely all this abuse one day will lead to cord failure and leave you stranded with a broken remote. Now here is another reason I have found a corded remote to be a down fall. If you are doing some light painting and standing away from your camera this can be a problem as a remote chord is only so long. So sometimes you have to bring a dummy or let’s be more political correct “a friend” to help press the remote for you.
Ok so next would be to talk about a wireless remote. Wireless remotes tend to be a pain in the but when it comes to needing it to work during that “in the moment” time. Here is how most wireless remotes work. Some of them are brand specific meaning a proprietary remote for your camera ie. Canon, Nikon etc etc these remotes don’t require you to plug something into your camera port for a remote. Aftermarket have attachment pieces that need to be plugged into the port on the body of the camera and the remote triggers this piece to actuate your shutter. So why am I against wireless remotes? Is it because I don’t know a bunch of dummies? Or cause I like it when my cable breaks? No its because you have to many factors for the average consumer to work around. First the biggest problem is that the battery will inevitably die when you need it the most. Wireless remotes all need a battery in the remote body and guess what when your not using that remote guess whats happening to your battery? You got it, that thing is slowly dieing in your camera bag when its not in use. Now keeping a spare battery in your bag could always be an option but remember large amounts of heat or extreme cold will always kill your battery. Another issue you will come across is that the more your battery dies the less range that fancy remote will have for you. Until inevitably you are standing right beside your camera pointing that remote 2 inches away so it will work. Another issue you may come across will be that sometimes I have found different frequencies can effect the distance you can stand from your camera. Now it’s not all bad with a wireless remote as you can have fun and be away from your camera while taking pictures. Having your hands basically free to adjust people for a pictures or to get the attention of your dog or cat. These are all advantages that a wireless remote may have.
So when you are purchasing your first or next remote think about the pros and cons of each and weigh your options. Remotes can very in price so do your homework before hand so your not shocked when you hear the price of that fancy remote at the camera store. Speaking of fancy remotes there are many out there that can do more then just be an extended shutter button. Some can adjust aperture, shutter speed, focus stack, up to 45 picture bracketing or time lapse. Obviously the more they do the more they cost but some people just like to spend money on gizmos like I do
Enjoy your weekend everybody and thanks for reading today’s blog!